But the face that gives visitors a chance to get up close and personal with an aspect of the statue that otherwise looms far out of reach is available to only a limited number of visitors. The museum is open only to those who have tickets to the pedestal or the crown.
The National Park Service wants to change that, and has proposed building a larger museum on Liberty Island that would be available to all of the approximately 4 million annual visitors to the site, not just the 20 percent or so who have statue tickets.
“We’d like to make the visit as enriching as possible,” said John Piltzecker, superintendent of the Statue of Liberty National Monument and Ellis Island, who earlier this month announced the opening of public comment on the idea, among the initial steps to making it a reality.
The next step would be working with a private foundation to raise money for the planned 20,000-square-foot museum, since no federal dollars would be used for the project. Piltzecker didn’t have a figure on what the project could cost but was nonetheless optimistic the museum would open in three to five years.
The park service has a location in mind, on the northwest side of the island somewhat away from the entrance to the statue, and has started thinking about what would go in it.
One possibility would be the original torch, which currently greets visitors in the pedestal lobby since it was removed in 1984. The material that’s in the current museum, which covers the history of the statue as well as how it was made, would also make the move. That would include the giant face, as well as a replica of the statue’s foot, and exhibits looking at the models and molds used to create Lady Liberty, who was a gift from France for the American centennial.
Eileen Gormley, visiting from Princeton, New Jersey, said having access to the museum was important. “This part here is very important and very informative and to just walk up and look at it, you don’t get any of the background and history.”
Michael Miller, of El Dorado Hills in California, agreed.
“It brings it to life,” he said. “It helps to make the seeing of the image itself more meaningful.”
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