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Kate, Duchess of Cambridge, Gets Official Portrait

Critics Divided Over Painting
British artist Paul Emsley poses in front of his portrait of Catherine, The Duchess of Cambridge after its unveiling at the National Portrait Gallery in central London on January 11, 2013. (Photo credit: LEON NEAL/AFP/Getty Images)

British artist Paul Emsley poses in front of his portrait of Catherine, The Duchess of Cambridge after its unveiling at the National Portrait Gallery in central London on January 11, 2013. (Photo credit: LEON NEAL/AFP/Getty Images)

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LONDON (CBSNewYork/AP) – Royalty has many perks. There are titles, guards, and palaces. As the former Kate Middleton has discovered, you also get portraits.

Paul Emsley’s portrait of the Duchess of Cambridge shows the 31-year-old royal against a dark background, her lips pursed into a wry smile, with an ethereal light against her face and hair. Her pale complexion brings out the fine lines under the eyes, and the light adds a hint of silver to her rich brown hair.

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Shortly after the portrait was unveiled Friday at the National Portrait Gallery in London, critics began grousing.

“I’m really sad to say this is a rotten portrait,” Daily Mail art critic Robin Simon said.

Guardian arts writer Charlotte Higgins said that Kate’s mouth looked clenched, her eyes looked dead, and that the whole thing had “sepulchral gloom” about it.

Media representatives gather in front of British artist Paul Emsley's portrait of Catherine, The Duchess of Cambridge after its unveiling at the National Portrait Gallery in central London on January 11, 2013. (Photo credit:LEON NEAL/AFP/Getty Images)

Media representatives gather in front of British artist Paul Emsley’s portrait of Catherine, The Duchess of Cambridge after its unveiling at the National Portrait Gallery in central London on January 11, 2013. (Photo credit:LEON NEAL/AFP/Getty Images)

“Kate Middleton is, whatever you think of the monarchy and all its inane surrounding pomp, a pretty young woman with an infectious smile, a cascade of chestnut hair and a healthy bloom,” she wrote in a post to her newspaper’s website. “So how is it that she has been transformed into something unpleasant from the ‘Twilight’ franchise?”

Emsley told reporters at the opening that it was always going to be tough painting Kate, who sat for the portrait last year, before she became pregnant.

“A person whose image is so pervasive, for an artist it is really difficult to go beyond that and find something which is original,” he said. “You have to rely on your technique and your artistic instincts to do that and I hope I’ve succeeded.”

Royal portraits tend to veer between the staid and the controversial. Lucian Freud’s 2001 portrait of Queen Elizabeth II remains a particularly notorious example, with some describing the heavy, severe painting of the monarch as deeply unflattering and others calling it groundbreaking.

In fairness to Emsley, some artists had praise for his work.

“I liked it, very much so,” said Richard Stone, who has frequently painted members of the royal family. “So often with official portraits they can be rather stiff and starchy, but this has a lovely informality about it, and a warmth to it.”

In any case, Emsley appeared to have won over his most important audience. Kate, who was with her husband, Prince William, at the gallery earlier Friday, called the portrait “just amazing.” William liked it too, saying it was “absolutely beautiful.”

Emsley told reporters that Kate wanted the portrait to “convey her natural self as opposed to her official self.”

What do you think of the portrait? Sound off below in our comments section…

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